.,, In the early 1980s, Taipei held an exhibition of Japanese ceramic artists, which greatly affected contemporary Taiwanese pottery, and as Fang says, “I'm now the unofficial fourth generation of Japanese–influenced potters.” Suddenly, we are talking about Hamada Shoji's work, the dynamic fusion of art and craft that has invigorated 20th century pottery—the wood-fired work of Mark Shapiro, Sergei Isupov's teapots, and the expression in a Peter Voulkos piece. ... .,, Over 200 works by Leach, Hamada, Cardew, Bouverie, and others in a beautiful edition. Bernard Leach, Life & Work-COOPER 55.00. A massive, thorough, and engaging biography of the father of studio pottery. Cooper gives a completely readable account ... His 3 1/2 year apprenticeship in Japan to 13th generation potter Nakazato Takashi is so clearly communicated in his pots and lifestyle. There is much to learn here. See the Video Sec. Born of the Fire: The Life and Pottery of ... .,, The Cole Family Potters of Sanford, NC: New Life 35.00 VHS An excellent film on family potting traditions. The Coles have been potters for three hundred years and the next generation is hard at work in North Carolina carrying on where their ancestors left off. ... From the BBC hosted by potter Michael Casson featuring well known potters demonstrating their craft including Mary Rogers, Walter Keeler, Bernard Leach, Hamada, Cardew and Elizabeth Fritsch. Each tape 25-30 min ... .,, Of all the well-known Japanese ceramic artists of the past four hundred years, men like Raku ware's Chojiro, the Kyoto designers and decorators Ninsei. .,, Through his frequent visits and demonstrations abroad, Hamada influenced many European and American potters in later generations as well as those of his own. Kamoda Shôji (1933-1983), long considered by many experts to be the greatest ... .,, the Pucker Gallery, 171 Newbury Street, Boston, MA from June 13 through July 20, 2009. “Hamada: Three Generations of Japanese Potters” Opening Reception: June 13, 2009, 3 – 6 pm. Potter's Event: Sunday, June 14, 3 – 5 pm ... .,, In my generation, store-bought appeared preferable to homemade. In the arena of ceramic art, at least as I experienced it in graduate school, utilitarian pottery, especially production work, was secondary to the more cerebral “one-off” ... I am reminded of a story I heard about Shoji Hamada. When asked how he made really great tea bowls he said that he would ask a friend over to visit while he was throwing so his mind would be distracted from what his hands were doing. ...

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